You then install the software just like any other.Īt the end of the subscription, you are given a serial key and are free to use the plugin (without Splice) forever. You start your subscription, and Splice provides you the installation instructions. Is Splice Legit?Ībsolutely – and the process of getting the plugins, VIs and other software on your machine is just as simple as any other.
It’s just a simple, convenient way to spread out your purchase over a longer period of time, and be able to enjoy expensive software straight away. Software purchased using Splice tends to be the exact same price as it’s sold through the original manufacturer (unless they run a sale.) Therefore, you don’t lose out on anything, or end up paying more by going through Splice. On the opposite end, if you realize that you really are enjoying a piece of software that you’re renting and you know that you’ll want to keep it, you are free to pay off the remainder at any time should you wish to do so.Īdditionally, there is no interest or hidden fees, nor are there any credit checks / reporting. If you try something out and find out that you just aren’t using it as much as you thought you would, you can cancel the subscription without the obligation to finish paying the full price. Using Splice, you can cancel, pause and resume your subscriptions at any time. This makes it possible to build that library of VSTs without breaking the bank or needing to save. It’s forever yours, and the monthly fee ends. What makes Splice unique is that at the end of your payment, you own the software outright. While many people praise this, the idea of renting software forever and never truly owning it isn’t exactly a welcome thought either. Companies like Sounds Online have popularized subscription services with their EastWest Composer Cloud plan, and overall it seems to be like this may be the direction that the industry is heading. In a nutshell, you pay a monthly fee for access to virtual instruments, plugins, and other software immediately.
(Not to mention, the viruses, time wasted debugging broken software, and the general ethics of it all.)įortunately, Splice has popularized something that benefits both musicians and companies alike – rent-to-own plugins. Of course, the problem is that all of these purchases can add up quickly, which has led many musicians to resort to piracy – something that truly hurts companies looking to innovate and bring new products to the market. Gear acquisition syndrome is a real thing, and as producers, we constantly feel like we need the next plugin or instrument in order to finally get the sound that we’re looking for. If there’s one thing that we know about music production, it’s that it’s incredibly expensive.
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